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Big Voice (& the Demons)

It turns out that I can sing. I mean I can do some operatic Edith Piaf thing.

At SVEA rehearsal last week I was goofing around and did a Big Viking Lady high note. Tina and Erika whipped their heads around so fast I could almost hear their necks cracking. “Ok, you can not tell us you can’t sing loud,” Tina said. I began to melt into my seat, shrinking like a snail. “I was just faking it!”

Erika looked at me with an expression that was not quite disgust— not towards me, any way, but the way one is disgusted by the patriarchy or crappy cafeteria food. “That is not faking it.” (The look was more like what you’d give a kid who is old enough to behave properly but tries to revert and pitch a fit. Um, no. That’s not happening.)

My immediate reaction was to sweat. Profusely. To squirm. I think I went into some stand-up routine patched together from every video I’d watched online in the last month. Then, as if to prove them wrong, I did some acrobatic scales. (I might have even rolled over like a dog: pleeeease don’t look at the roll of toilet paper I destroyed, here’s my belly!)

Or something like that.

I tried to sing some songs like that during rehearsal. It sort of worked. “You were doing fine, and then I don’t know what the gremlins said to you, but you went back to singing from your throat,” Erika said, still with a slightly appalled, no-nonsense look.

Tina said I should work with Erika to figure out proper breath support. Basically, the jig was up: not only do they know I can sing in a Big Voice, but because they witnessed it, my conscious brain is forced to confront this information.

It was exhilarating and horrifying, and after rehearsal I was exhausted and as crabby as if I had a hangover.

This week was more of the same. Tina got me to be goofy and I did the Big Voice… and then I had to peel off three layers of clothing (I fully expected to be forced down to my long johns before the hour was up). I thrashed around and did my penitent stand up comedy shtick. “I’m pretty sure this is going to happen every time until I sweat out the demons.” They graciously did not quit SVEA and go in search of someone with more stable emotions or core temperature.

Every time I tried the Big Voice I waited for them to say it was too loud!, but instead Tina said I’m still not louder than them and we are just now starting to blend well.

It is an extremely uncomfortable feeling. All I want (I think) is to be Fabulous. Rock Star-Ballerina-TED Talk Lecturer-Academy Award Winner-Best-Selling Author-Fabulous. But this is so loud! I’ve tried to trace back to the inciting incident that is causing the alarm bells to clang so furiously, and I’m coming up with nothing. Being a good singer was totally ok in the more stayed, Baptist side of the family, and I had a voice teacher with a Big Voice, so I was certainly exposed to it. I don’t have a clue.

In a moment of furious self-analysis alternating between anguish and incredulity, I thought about my sister, Abbey. Abbey has a really cool voice. Though I haven’t heard her go for Edith Piaf/Viking Opera Singer, she has an amazing low range, she has cool vibrato, she has a voice much bigger than her physical stature would lead you to expect. She’s an itinerant musician. But she’s my little sister. Part of my brain kicked in in a delightfully cliché superior-older-sister way: Well, if Abbey can do it, you can definitely do it. (Ahh, the ego is a strange horse to ride, but sometimes it gets you where you want to go.)

Last night, while still feeling the detox of demons leaving my body (scrabbling around for better handholds?), I told Jay about it.

He said, “You’re a better singer than you think.”

I said, “Ok, but I’m way weirder than you think! What happens when all that comes out? What about the spew of weird improv-comedy blather?”

He said I should just let it out, but then didn’t seem thrilled by my immediate showcase of character voices and anecdotes. (To be fair, he was already in bed with a pillow over his head when the whole conversation began.)

It feels so weird, it feels like driving on ice— if I take away one filter [Don’t Be Loud], it feels like all the other filters and barricades between me and the edge of the cliff vanish, too. Who knows— maybe in addition to being able to Sing Big and be Extra Weird, I also have wings and I won’t plummet into madness/freindlessness/stardom/a whole new personality. Maybe I’ll fly around, have a great time, and never be afraid of that particular edge again.

Besides the emotional discomfort, it feels physically weird, wrong, strange, like learning better posture or how to cross country ski. Nothing is habitual, and I’ll suddenly drop all my breath support and not know how to get back on board. Honestly, it’s the first time in my life I’ve thought maybe I should start exercising because cardio feels bad! That I should practice feeling horrible and doing something anyway, both for the improved breath support and core strength, and to do something that feels physically more wretched than singing! (If you see me at a Zumba class, you’ll know why).

I think it might not take a thousand years. I’ve been thrashing around through first drafts of stories, and over and over again it turns out if I just flail for a minute or two, I settle down eventually and things turn out pretty well, or at least I have something to build on.

In the meantime, I guess I’ll be heating our house purely on the power of the Shame/Courage circuit. If you see me around town wearing a clown nose and muttering to myself, count it as a sign of progress.

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